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One of the first things I noticed about this game was the sumptuous sound design. Especially love the movement sounds, because they're so rich and full, and really communicate that feeling of weight and the complexity of the shape that's moving.

your videos are so good. you're an excellent teacher and RUclips creator! also, I'm a professional programmer with lots of experience at large and small companies -- let me know if I can return the teaching favor if you need any help with your game

The original sounds like bad reverb, no idea why it's iconic when it's so mediocre.

New viewer here and fellow sound designer/programmer. Question: Do you think the mid range tone thats discussed here is birth from the rumble push in console games? I feel like that was adopted during that to have the player feel that feedback in hands. I could be wrong but thought id throw that out there. Great content. #Proxima

Love this. I've used this technique several times before with 'varying' degrees of success, but I often find that I can pitch down a sound in basehead by 85% - but then pitching up by 85% (once recorded my own version) doesn't come anywhere near close to the speed of the original which confuses me. A combo of Pro Tools elastic properties pitch shifting and basehead pitching is what I end up with to get 'close' to the original. What do you use to speed / pitch it up?

Pedra bahiana

im trying to learn how to make those, I am recording some stuff now

I got an idea to make a really simple fishing game just like this, and then found this video lol, I know about everything else except audio tho

this unironically helped out so much, thanks my guy

And 5 years later, the sounds from this game are *still* unbeaten.

No matter how well it sounds, it always sounds like listening to it through a muffler. You loose most of the echo produced by the shockwave. Therefor guns do not sound even like this, since not many microphones can record it well enough to be useable in games. The new Bodycam game has pretty realistic gun sounds, but only indoors. Also it makes listening to gunshots a bit uncomfortable.

You can use pitched down cat vocie to make exotic bird song.

Excellent video, and I'm happy that I got the audio challenge on panning lol! Quick question though: for getting in the boat, what was your reasoning on keeping that sound in stereo? I expected it to be more from the POV of the camera and not the character. Thank you!

the wind/waves noise would probably sound more realistic with realtime filters. for waves, constant low red/brown noise, with modulated high bands. and wind noise depends on speed, so just moving a bandpass cutoff would probably get you most of the way there, but that recording is quite nice sounding. it would be really cool but also very overkill to model gusts and pressure changes, and other fancier phenomena.

if you try hard enough, you can even make engine sounds with your mouth while slowly breathing in, try it out it's fun!

Hey what sound editor did you use to make this?

2:22 NO. ONLY BIRD SOUNDS.

sounds so good!

The sound design in Breath of the Wild is already incredible, but Tears of the Kingdom is so much easier on the ears in a lot of different ways

i need to rewatch this with headphones

Randomly remembered this video. Good times. Weird a game which feels like it was relased yesterday is 5 years old now.. and I’ve veen saying the same since mw2, I think I’m going crazy

5:10 you should say what this sound scanning tool is

you're a friggin genius marshall i just gotta say! thanks for all you do!

Great video man! I would change walking sound on sand its to dirt like to me

As a birdwatcher and gem dev, fantastic Why haven't I thought about that? Thank you for this

Awesome ! I was wondering about the workflow behind event sender/listener system, is it audio that is sent or is it triggers/ parameters only ? I really like the idea of sounds reacting with each others but I just wonder how you set it up in a practical way

it sounds like if you threw a baseball at a mattress or some kind of tarp made for catching baseballs

Watching this as a technical artist, it is wild how many parallels there are to sound design and making visual graphics. Making sounds using different white noises and then playing around with it until it sounds good, using real life recordings (parallel to photogrammetry) and combining it with procedural sound ect. I mean when you think about it, it makes sense but still, never really thought of that.

Amazing as always man 🙂👏

join game jams, they needed sfx ppl at the last one i was in. i do music composition and fmod stuff too, but i'm learning sound design now

you really got my ass @ 3:32

Hi Marshall! Where can I contact you to ask some questions? Thank you!

This is insane to me. Only just started looking into sound design for games this past week but I find it crazy how you're able to do this. I'm not ashamed to say I tried copying what you've done and just ended with an awful result, which in hind sight is probably a good thing as it just means I'm can get better. But this is seriously impressive. Thank you for your insight

In this spirit, there is a program called SoundParticles that has a lot of the same functionality that you described in this video. It's emphasis is on spatialization but also has parameters that let's you control velocity (changing location over time), granular amplitude/pitch, and others. I have no idea how it would implement into a game but for those looking to create similar soundscapes without needing to code your own script, it's a cool place to start.

Having an LFO modulate the the filter your base layer of wind is running through, and adding some resonance to that filter, adds a lot more life to your base wind layer, and replaces some of the constant harshness of the noise with some interesting movement

Land creatures??? Where dem seagulls at?... It would be great if you could better marry the visuals with the ambient audio. I haven't wrapped my head around how to sync shaders with audio since shaders tend to just stay by themselves over in the GPU. But if leave rustles were synced with the foliage shader getting a gust. And wave noise increasing synced with the wave shader picking up

This is awesome

I have watched this 3 times now simply because of how fascinating the method is and how well the video was made. SO cool!!!

Another great video! Did you have a chance yet to play around with MetaSounds?

📔🖊Dear Diary, I'm on that part of RUclips learning things I will never need to use anywhere.

Sounds and looks great!

What an absolutely tragedy that I've not seen your work in the last year. Time to bell. Great video!

This is epic ty!

Incredible! Thanks!

You've got such an amazing interesting channel.

Woah, that's super genius and creative. sound design needs more attention.

That's really cool, I ended up setting up sound really similar in the game I messed with, I didn't really look up how it's done or anything. I took inspiration from skyrim cause they did such a good job with the ambient sound of that game. The bird trick was really awesome, I did not know about that, I think I have to try that!

Really helpful video! One question I have is about the filtering of the pink noise based on the beach sound clip. Did you just put a filter on the noise that had an EQ shape similar to the sound clip, or is there another plugin/tool/process you used to pull that off?

There is an interview with the audio director of ghost of tsushima and he said they did that exact technique for some of the bird sounds.

i love your videos, please teach more sfx stuff